Disco DJ an unbeaten Guinness record since the 1970s


special appeal to DJ and music media, etc.



You should write about this story / record from 52 years ago {15-30 November 2022} 
because it is a great event and a thing in the history of deejays

------------------------------------------------------------



52 years unbeaten Guinness DJ-record !!
{why they Guinness + DJ, Music media ignore fact
and spread / support fakes / lies??
--- why - because they are stupid or drugged ??}

I’m angry because see no respect for the most beautiful
DJ record in the DJ-history ever !!


Guinness seems to have gotten lost in more than half a century of the records it has confirmed. Undoubtedly, there are also new / different people working there than 50 years ago. They must have stored the data incorrectly in the archives of records, because one of them has apparently been lost to them.

How many more are missing ??

It's good that they issue their certificates, we can show them today and everyone else in the world – I mean the lost and forgotten record from 52 years ago.

On November 15-30, 1970, the English disco deejay Pete Grooves set the Guinness World Record for the length of uninterrupted disco events. Steve played 360 hours continuously.

 

… other words as Guinness wrote / confirmed on –

 

GUINNESS
World Records

CERTIFICATE

“The longest continuous
period of acting as a
disc-jockey is 360 hours by
Pete Grooves of Basingstoke, Hampshire, UK

on 15-30 November 1970 !!”


Until today {15-30 November 2022}, that is for 52 years, no one has broken this record !! More - they have not even come close to it !! Even though there are some who lie and cheat by claiming to have such a record.

Guinness, unfortunately, confirms it by taking part in a swindle !! I have been asking them for explanations for a long time, but they remain silent or write excuses.

They are ashamed for their negligence and confirming the frauds, or maybe they deliberately want to break the matter off, silence, hide, bury, etc. ??


I hope Guinness will confirm the Steve Grooves record and we will all celebrate
the 52nd anniversary of its establishment - because he has not been beaten
to this day – 15-30 November 2022 !!

This is a great record and very significant in the entire history of deejays in the world.


Jan ‘yahudeejay’ Pawul
pioneer disco deejay worldwide
Disco & DJ historian, writer
Disco DJ Hall of Fame member

 

read more on special blog: 

https://1952yahudeejay1970.blogspot.com/p/my-uk-friend-pete-grooves-disco-dj.html

 





So many deejays on planet Earth. Several of them tried to break Pete's record. I'm sure they don't even know about the record set on November 15-20, 1970 by Pete Grooves !!? 

They've been trying and trying something for 52 years (unconsciously lying and even cheating) and nothing. Guinness is to blame for a lot because even they do not know what records and for what time they are holding. I asked them and the answer is weird - see below !! 

And yet we show them / everyone clearly a certificate / confirmation / proof - of fact and truth !! No wonder they cheat on the media. They don't know the truth either - although I have informed everyone exactly as it is. Why are they ignoring it and spreading fakes ?? !!

We have some of these fakes and scams in the history of Disco and DJs - which hardly anyone notices. By the way, the biggest scam is: https://legends-of-dj.blogspot.com/



they spread soooo many terrible lies !!

NOT TRUE !! worldwide disinformation and LIE !!

they do spread fake information
they call --- "LONGEST MARATHON DJ SET or Guinness record break":
TOTAL SHAME FOR THE MEDIA - TOTAL !!

more: 







GUINNESS COLLABORATE 
TO SPREAD KIND OF FALSE / FAKE RECORDS !!?? 
- OR WHAT ??




Guinness 1970 world record by UK deejay


forgotten and beautiful disco 
and DJ history fact from the past ...


The longest continuous period of acting as a discjockey 
is 360h by Pete Grooves of UK  - november 1970 !!

no one has beaten this DJ-record until today !!






I wrote to Guinness try to get more informations 
but they do not hold in archive anything more what is total shame 
because do not control create a lot of false / fake deejay records last years PROBABLY !!


They try DJ record:

Check other links show any „records” which in fact are not any records but false / fake info-lie !!



---------------------------------------------------------------------

But, But, But !!
5 DJs team records is Total not the same – well – far-away even – from / of single DJ record !!

So most important and respectful is single DJ record. 5 DJs record is like 5th ligue quality record and has little importance.

This is not record and total lie. Interesting is Guinness do not control (looks like do not care??!) right way. This is real unbeaten Guinness record since the 1970s - record by UK '70 disco era DJ Pete Grooves: http://euro-disco-hall-of-fame.blogspot.com/p/disco-dj-unbeaten-guinness-record-since.html

He played non-stop for 15 days or 360 hours. Here we have a few (5) deejays and only 340h. It is weak compared to the DJ-master from years ago!  
--- and this is still not any records in fact compare to DJ Pete Grooves !!


!! AND WHAT IS VERY, VERY IMPORTANT FACTOR !!
Pete Groves - Guinness record 1970 when just vinyl 7" singles and 12'-LPs possible 
to play / mix. I mean a lot of very hard work to change records to continue play !! 
What they do today ?? They change almost nothing because of digital memory of Pioneer or other name music players / sound source. 

Soooo !! ---- if anyone want to be better than Pete Grooves - must play 7" and 12"-LPs. Other way not the same record. Digital music source record is much MUCH easier to do compare what Pete Grooves did. Digital is completely different record no smallest connection to Pete's Guinness record of 1970.





... click on the pix to enlarge ...











my interview with Pete for my disco history book 




 

all what I want to do and I do my best for is – to save (in my hands / my eBook)

as much as possible of whole disco history for future generations

- this is my life goal and passion –

 

The difference between ignorance and awareness is wisdom

We don't know where we are going unless we know where we've been

Without that knowledge... history is gone with the wind

 

Pete Grooves

UK – DISCO pioneer discjockey

owner of unbeaten “Guinness World Record” since the 1970s

 

“Guinness World Record”

THE LONGEST CONTINUOUS PERIOD (360h) OF ACTING AS A DISC-JOCKEY

 

interview for the book:

“SILENT RECORDS”

- DISCO HISTORY -

by

Jan yahu Pawul

 

Y@HU - This time my interview is with Pete Grooves - an UK deejay,

discotheque pioneer who remembers what was interesting in the ’70 DISCO ERA .

 

 

Y@HU - when did you decide to become a disc jockey

- when and where did it really start

- how long have you been a deejay ?

 

Pete Grooves - 1968 in at a church youth club.

 

YOUR MEMORIES

Y@HU - Tell me something (as much as possible) about the pioneer deejays or artists you know / you've met in your career ?

 

Pete Grooves - the pioneer dj days I suppose go back to the pirate radio days which i had the pleasure of working with some of the djs when they moved to ‘bbc radio one’ djs like the Emperor Rosko, the late Ed Stewart, David Hamilton, etc.

 

Y@HU - Do you keep / hold any contact with the other disco deejays /artists / '70 mega stars (can you mention any names) with whom you've become close friends maybe, because of your work ?

 

Pete Grooves - still in touch with Rosko also Barry Biggs who had a number one hit with a sound called SIDESHOW and a few more, etc.

 

Y@HU - Tell me about the most exciting moments in / about your deejay / producer career ?

 

Pete Grooves - Breaking my world record in November 1971 has to be number 1 but a very close 2 would be seeing the 2000s in a venue never to be forgotten.

 

Y@HU - Do you remember / can you tell which was your best DJ gig ever ?

 

Pete Grooves - apart from working with the big boys lol , its got to be seeing the Millennium starting at 19:00 on the 31st of Dec 1999 and ending in 2000 at 07:30 (loads of money )

 

Y@HU - Who were (as you remember) some of the great parties and DJs of the time ?

 

Pete Grooves - got to be ROSKO he taught me a lot in the dj world

 

Y@HU - Have you ever done something else or is DJ'ing your life ?

 

Pete Grooves - I set up a garage and also had a taxi company then sold them off

 

Y@HU - Since you're one of the pioneer disco DJ's - how was the DJ regarded in the beginning and how has it changed during the years ?

 

Pete Grooves - in the early days you had the groups thinking we were going to take all the work etc. but now things have got more sophisticated etc

 

Y@HU - What do you think about today’s techno / house etc. and deejays who use old tracks, samplers, CD mixers, put new beats of computer programs, and "create" special versions of the songs and burn CD's at home of their "creations?” or produce on 12” vinyl. Is this serious or just fake ? - I mean they create nothing in fact - they just use good music made by someone else from the past. In other words they can create nothing if it wasn’t from such old, good records of the '70 ?

 

More explanations to this very important question:

What if people (poets, writers, painters) change (destroy in fact) great poetry, books, paintings - if they cut of parts of the well known poetry, books, paintings - mix them and pretend it is new and created by them. My opinion if any deejays / producer - want to be creative – then should create own music as Vince Montana did, as many other real musician / producers did in the past. Techno / house deejays just use other music and destroy with wrong BPM, sound, etc.

Disco music not belongs to techno / house - it is very separate music of the past and it is good as it was created - need no any shit changes - "creations" of the people who have no idea, knowledge - do not know how to play instruments. This is very sick if deejays pretend music creators. Deejays are just to play other people - real musicians music - that is it.

House music is OK for those who like it (NOT ME - because it is too much techno - machines play too much - not real musicians) but house not existed if not use this unique rhythm created by real musician - Salsoul Orchestra and many other drummer - Earl Young. Earl is godfather of house music - not any shit deejay who just stole Earl Young creation and pretend as his own.

Problem with present time deejays is - they pretend someone - they are not in fact. They hire real musician to create and record music in the studio - then put his nick name or name on CD cover and pretend this all music is created and made by them. It is shit crime !!! - shit crime.

No one ever in the music history did such dirty tricks before - except one German producer name Frank Farian who created fake and plastic "artist" name Milli Vanilli. Do you remember that their fake creations got Grammy and then they should give back Grammy because of crime they did ???!!! Same creators as this F. Farian and his shit Milli Vanilli are today’s techno / house "creators" / deejays whose cut and mix pure disco music and destroy all in their own sick way. On the end - can you imagine my interview with you other writer cut - mix and publish under his name as his interview with you as his "creation" ? It would be shit stupid crime – simply against author and copyright law !!!

 

Pete Grooves - - - - - -

 

Y@HU - Where do you live now ?

 

Pete Grooves - Somerset UK

 

Y@HU - Who were (as you remember) some of the great show and artist of the time ?

 

Pete Grooves - - - - - -

 

Y@HU - Do you regular work now as a deejay ?

 

Pete Grooves - yes

 

Y@HU - What music style do you prefer and vinyl or CD or computer memory ?

 

Pete Grooves - anything with a good beat ie dancey and party etc. CD or vinyl

 

Y@HU - What was your favorite club you worked for ?

 

Pete Grooves - that’s got to be the ‘watneys group’ called the ‘birdsnest o’ and a night club called the Angel ...

 

Y@HU - Do you plan to write any book about ’70 discos / deejays or an autobiography ?

 

Pete Grooves - no I will leave to the pros like yourself ....

 

Y@HU - No doubt for me that black artists created late ’70 disco music, disco history based on soul and R&B - what is your point of view ?

 

Pete Grooves - emm but did they I like to think it was a bit of a mix you also had the old pop music that went down well

 

Y@HU - Do you feel yourself as connected any way to the deejays whose created late ’70 disco - discotheques and today clubs history based on soul and R&B ?

 

Pete Grooves - I have been lucky to have been involved on all sides

 

Y@HU - Do you prefer very early old style, (radio close style) deejays use microphone, speak to the people /audience or those came later - just mixing records with BPM, pitch control ? I mean the original club / disco deejay technique of very early ’70 before beat matching / mixing ?

 

More explanations to this very important question:

OLD SCHOOL DEEJAY – I UNDERSTAND IS PROUD TO PLAY MUSIC PUBLIC AND SAY WHO IS THE ARTIST. (that is the old school deejay do - I mean talk to audience / inform - not just mix) Audience have to know who is the artist of a great track - this is first rule of real deejay and serious music business :-)

OTHER WAY HOW AUDIENCE TO KNOW WHAT TO BUY ?? HOW ARTISTS BECOME KNOWN AND POPULAR ?? JUST MIXIN' (last years style of deejays = poor style) - MEANS NOT MUCH TO THE ARTIST, to the labels, producers.

It is simply not much useful. Just mixin' means to play music anonymous among thousands of other tracks and no one know who is the artist. THIS IS VERY, VERY(!) WRONG DEEJAY STYLE OF PRESENT TIME. DO REMIXES BY DEEJAYS I UNDERSTAND AS KIND OF “REPAIR” WHAT ARTISTS, PRODUCERS DID IN THE STUDIO – WHAT MEANS that THOSE REMIXERS / DEEJAYS KNOW BETTER WHAT ARTISTS AND PRODUCERS WANT TO PRODUCE AND PUBLISH.

DO NOT TRUST ARTISTS AND PRODUCERS AND DO OWN REMIXES (hell know for) IS KIND OF SERIOUS SICK of PRESENT TIME DEEJAYS (over-ego). DEEJAY IS PERSON WHOSE JOB IS SIMPLY JUST PLAY MUSIC TO THE AUDIENCE AND INFORM(!) WHAT HE PLAY. DEEJAY SHOULD TO KNOW HOW TO MIX, HOW TO SPEAK (good voice sound + technique of announce) TO THE MICROPHONE, GET PROPER KNOWLEDGE AND CONTACTS.

 

Pete Grooves - yes I think that’s the way it should be the real way of disco talk but don’t over talk

 

Y@HU - What was your favorite club, how do you remember: Studio 54, Sanctuary, Limelight, Funhouse, Gallery, Palladium, Paradise Garage or maybe David’s Mancuso – Loft, ETC. ?

 

Pete Grooves - - - - - -

 

Y@HU - are you married, any children ?

 

Pete Grooves - was now divorced and yes three boys

 

Y@HU - What is your life now - deejay, producer - what projects are you working on ?

 

Pete Grooves - dj with a new show called the instant replay

 

Y@HU - Has today's music become too technically driven, thus losing some of its magic touch when you were performing ?

 

Pete Grooves - no I perform to the audience

 

Y@HU - Tell me about your cooperation with any labels (if) ?

 

Pete Grooves - N/A (not applicable)

 

Y@HU - What do you think of the Disco era now – after so many years ?

 

Pete Grooves - still good depending how the dj puts it across

 

Y@HU - Do you see / recognize many disco era music / style concerts around with original artists, music, style, hit songs and same about deejays (disco gigs) ?

 

Pete Grooves - I think it depends on the function/gig

 

Y@HU - It looks like some deejays, disco pioneers, artists, musicians, disco websites owners / editors, etc. – they sometimes seems jealous or what and do not help in contacts to other disco era pioneers if I ask them help in my disco history work – they do not want to cooperate to save as much as possible knowledge for history, for future generations - WHY ?! Are people ashamed of this because at the end of '70 was, a terrible and max stupid bashing disco - "disco sucks" – organised by punk – rock losers ?

 

Pete Grooves - I’ve got to agree with you there I’ve had groups saying silly things like we are taken all the work the way I see it if they are any good they would not have a prob ...

 

Y@HU - What is your opinion about how present time people save (or do not) disco history for future generations – is this enough what they do or history may disappear for good ?

 

Pete Grooves - if it wasn’t for writers like you we would be stuck ...

 

Y@HU - Did you ever cooperate (as writer) with any disco magazines (below) back then ? (best disco / DJ magazines that time)

 

• Billboard Disco Sourcebook 1975 / '76, '77, '78, '79 - USA , Lee Zhito editor

• Melting Pot – NADD (National Association of Disco Dee Jays) - USA - Bob Casey editor

• Disco Star , New York , USA , Art E. Scott editor

• Progressive Platter, Boston, USA, Cosmo Wyatt editor

• Disco Gossip magazine , Chicago , USA , Alfred Cain editor

• Disco News , New York , USA , Scott Anderson editor !!!!!

• Discothekin' , New York , USA , Alex Kabbaz editor !!!!!

• Discotheque , Los Angeles , USA , Bernard Blain editor

• Disco World , New York , USA , Susan Friedman editor !!!!!!

• Discotrade , New York , USA , Nicole Sehmon editor

• Mix Master , New York , USA , Michael Gomez

• Disco Encyclopedia by Marianne Ilaw , St. Albans , NY , USA !!!!!!

• Steppin' Out , Los Angeles , USA , Jeff Kutash editor

• DISCONET magazine , New York , USA

• DeeJay Monthly, London, UK, Ben Cree editor and NADJ (National Association of DeeJays) President

• Disco Mirror , London , UK , Mike Sharman editor (?)

• Disco International , London , UK , Gerry Gilbert editor

 

Pete Grooves - NME and Melody Maker all in the UK

 

Y@HU - What do you think of today’s discotheque and deejay scene ?

 

Pete Grooves - good

 

Y@HU - What is your best remix you ever did ?

 

Pete Grooves - can’t remember

 

Y@HU - Why did you left disco business ?

 

Pete Grooves - N/A (not applicable)

 

Y@HU - Have you won any awards for your career / gold records, etc. ?

 

Pete Grooves - I hold a world record

 

Y@HU - Do remember any hit records titles and artist names you were mixed at the time ?

 

Pete Grooves - to many lol

 

Y@HU - How do you remember late ’60 and very early ’70 disco deejays whose mixed and commented in radio style listed below - rock, pop, r&b, funk, soul artists music to dance in the first discotheques ?

Atlanta Rhythm Section, Deep Purple, Budgie, Cream, Jimi Hendrix, Jimmi Castor, Stax Sound, Philadelphia Sound, Motown Sound, James Brown, Aretha Franklin, Ray Charles, Louis Armstrong, Betty Davis, Staple Singers, Otis Redding, Al Bell, Carla Thomas, Booker T & MG’s, Wilson Pickett, William Bell, Isaak Hayes, BarKays, Johnnie Taylor, Rufus Thomas, Sam & Dave, Albert King, Steppenwolf, Sugarloaf, Iron Butterfly, Pink Floyd, Janis Joplin, Black Sabbath, Ten Years After, Jethro Tull, Grand Funk Railroad, Led Zeppelin, Sly & Family Stone, Dennis Coffey, Free, Fleetwood Mac, Vanilla Fudge, Free, Jefferson Airplane, Lynard Skynard, Big Brother & Holding Company, Cozy Powell, Nazareth, J Geils Band, Three Dog Night, James Taylor, Carly Simon, Poco, Linda Rondstadt, America, Sweet, Slade, T-Rex, Blood Sweet & Tears, Little River Band, Chicago, Van Morrison, Uriah Heep, Savoy Brown, Moody Blues, Guess Who, Doobie Brothers, Doors, etc.

- how it all did start - whatever happen’ later. No doubt – discotheque and deejay history is not ONLY (?!) Bee Gees, Saturday Night Fever, Donna Summer, Larry Levan, Paradise Garage, David Mancuso, The Loft, Studio 54, Nicky Siano, etc.

 

Pete Grooves - I can remember most of them the good sounds

 

Y@HU - How significant was this whole stinky and dirty affair with Chicago’s ‘Comiskey Park’ anti-disco riot and this punk, pseudo DJ creator name Steve ‘anything’ ?

 

Pete Grooves - just let them get on with it

 

Y@HU - How disco was labelled around that time and why – “as fag” ?

 

Pete Grooves - in the 70s/80s it was the good times

 

Y@HU - How valid that time in real(!?!) was: Larry Levan, Paradise Garage, David Mancuso, The Loft, Studio 54, Nicky Siano, Bee Gees, Saturday Night Fever - maybe it was / they were too much publicity than real value for disco, deejay and music scene and it stay like this until today for a few history less educated people ?

 

Pete Grooves - - - - - -

 

Y@HU - What was the last impact of those early ’70 disco ?

 

Pete Grooves - went with the flow it was good

 

Y@HU - What is your opinion about those DISCO history books – I mean are all those books real disco history facts or maybe a little bit created by authors / fake disco history(?):

 

* This business of Disco by Radclife Joe

* Disco by Albert Goldman

* Turn the beat around by Peter Shapiro

* Last Night A DJ Saved My Life by Bill Brewster, Frank Broughton

* My Life And The Paradise Garage - Keep On Dancing by Mel Cheren

* Saturday Night Forever: The Story of Disco by Alan Jones, Jussi Kantonen

* Love Saves the Day: A History of American Dance Music Culture, 1970-1979 by Tim Lawrence

* The Disco Files 1973 – 78 by Vince Aletti

* And Party Every Day (the inside story of Casablanca Records) by Larry Harris

* The Record Players by Bill Brewster & Frank Broughton

 

Pete Grooves - - - - - -


Y@HU - Can you write a few words of your(!) short, private opinion about USA deejays they were over-rated maybe or NOT deserved fame / publicity they got ?

 

David Mancuso –

Richie Kaczor -

Nicky Siano -

Tom Savarese –

Steve D’Acquisto –

Michael Capello –

Francis Grasso –

Larry Levan -

Bobby Viteritti -

Tony Smith -

John 'Jellybean' Benitez -

Bobby Guttadaro -

David DePino -

Eddie Rivera -

Walter Gibbons -

Francis Kevorkian -

Tee Scott -

Robbie Leslie -

Danae Jackovidis -

Paul Casella –

Frankie Knuckles –

Barry Lederer –

 

Pete Grooves - over rated most of them

 

Y@HU - One of the biggest, very early disco pioneer deejay name of ’70 was Tom Savarese (Billboard deejay of the year 1976 / ’77). No one even know how is he and where now. Some people even thought and published information that he is died. Another disco era pioneer deejay Barry Lederer died of heart attack in his NYC apartment alone and they found him a few weeks later. Same happened to many disco era heroes. It seems as disco / club deejay world / environment forgot about their roots and people whose created club business and seems like today deejays and media do not care disco era heroes. Do you think is this good idea to create special organisation and fund (DISCO AID) to help poor and health weak disco era heroes in everyday life, etc. ?

 

Pete Grooves - it would not be a bad idea

 

Y@HU - What about Record Pools - which did you belong to - when and how long ? How many records did you receive from them – weekly / monthly ?

 

Pete Grooves - N/A (not applicable)

 

Y@HU - Have you still got/hold your DJ record collection ?

 

Pete Grooves - most of it

 

Y@HU - Could you name some of your favorite Disco songs ?

 

Pete Grooves - Rick James (Super Freak) Blondie (Heart of Glass) Motown Night Fever, Bee Gees, Funky Town, Disco Inferno, Mavericks Boney M, Earth Wind & Fire, Donna Summer to many to list

 

Y@HU - Did you like Disco music during ’70, ’80 disco era?

 

Pete Grooves - yes

 

Y@HU - What kind of music do you personally prefer ?

 

Pete Grooves - most types pop etc dancey

 

Y@HU - Do you remember / can you write who was or what was (in your opinion):

 

* best artist of the ’70 disco era (1970 – 1980) ?

* best deejay of the ’70 disco era (1970 – 1980) ?

* best dancer of the ’70 disco era (1970 – 1980) ?

* best disco owner the ’70 disco era (1970 – 1980) ?

* best journalist of the ’70 disco era (1970 – 1980) ?

* best producer of the ’70 disco era (1970 – 1980) ?

* best book about disco history of the ’70 disco era (1970 – 1980) ?

* best disco magazine of the ’70 disco era (1970 – 1980) ?

 

Pete Grooves - - - - - -


Y@HU - Why deejay profession was degraded and lowered the position of very early ’70 disco deejay with microphone and talk to audience / comment / introduce / present records short way - to kind of person who just changing records as human juke box – eventually do (this or that) mix = destroy original recordings - what in fact not interested to audience smallest way – it is interested to a few maniacs and deejays whose delight and excite only ?

 

Pete Grooves - anyone can just put records/CDs on and play them

 

Y@HU - I'm very early '70 pioneer disco deejay and disco historian also and I know for sure that first disco deejays were similar to radio deejays and used microphone to talk specific comment (other than radio) to mix 7" singles. Then deejay mixer came and this method stay as main because much, much easier than earlier one. Simply - in this method deejay do not need good voice to speak to the audience.

 

Pete Grooves - same as above - We know circa where and when 12" maxi disco singles start / born - however hard to agree for the very first one :-)) BUT ??! - - - there is much more important question now:

 

Y@HU - tell US / WRITE the story of where remixing by disco era deejays was born, which was obviously people like yourself who began as DJs then used your experience to work on records.

- - - Who was first disco era deejay remixer / or group of deejays ?

 

Pete Grooves - to me pirate radio

 

Y@HU - How it was and why – some deejays got huge fame but other same good deejays – NOT ??

 

Pete Grooves - again the BBC wanted to shut down the pirates

 

Y@HU - breaking the Guinness record - how it was organised in details ?

 

Pete Grooves - in a 24 hrs taxi office

 

Y@HU - What equipment did you used ?

 

Pete Grooves - ‘Marshall’ amps etc.

 

Y@HU - How many people help you and how ?

 

Pete Grooves - 5/6 and a doctor

 

Y@HU - Did you got any valuable award (from Guinness or anyone) ?

 

Pete Grooves - yes certificate etc.

 

Y@HU - How this record was recognized and commented on in the world ?

 

Pete Grooves - Guinness world records

 

Y@HU - does any of below famous disco / DJ magazines contact you, interview, etc.

 

Melting Pot - USA - Bob Casey editor

Disco DJ - NYC - USA

Disco Star , New York , USA , Art E. Scott editor

Progressive Platter, Boston, USA, Cosmo Wyatt editor

Disco Gossip magazine , Chicago , USA , Alfred Cain editor

Disco News , New York , USA , Scott Anderson editor

Discothekin' , New York , USA , Alex Kabbaz editor

Discotheque , Los Angeles , USA , Bernard Blain editor

Disco World , New York , USA , Susan Friedman editor

Discotrade , New York , USA , Nicole Sehmon editor

Mix Master , New York , USA , Michael Gomez

Disco Encyclopedia by Marianne Ilaw , St. Albans , NY , USA

Steppin' Out , Los Angeles , USA , Jeff Kutash editor

DISCONET mixed records + magazine , New York , USA

Dee Jay Monthly , London , UK , Ben Cree editor and NADJ President

Disco Mirror , London , UK , Mike Sharman editor

Disco International , London , UK , Gerry Gilbert editor

Mix Mag, London, UK, Tony Prince editor (early ’80 issues)


Pete Grooves - To be honest Jan I Can’t remember

 

Y@HU - How did you prepared yourself (mentally and phisically) for such a hard record ?

 

Pete Grooves - I was quit fit etc., my sport was boxing ‘aba’

 

Y@HU - Has this feat caused any damage to your health ?

 

Pete Grooves - emm I can now have ten mins sleep and then go on 8hrs or so

 

Y@HU - What this record changed in your deejay career ?

 

Pete Grooves - got me working with other pros, etc.

 

Y@HU - has your professional DJ position among British deejays increased significantly?

 

Pete Grooves - Yes I think so

 

Y@HU - have you been invited to many significant events and earn proper money of ?

 

Pete Grooves - Yes

 

Y@HU - When did you finished your deejay career ?

 

Pete Grooves - not stopped yet …


Y@HU - Did you play day and night non-stop ?

 

Pete Grooves - Yes

 

Y@HU - I believe no problem with food and drink but what about sleep while setting a record ? Did you sleep - how long and how or did you not sleep for so many days and nights ? Hard to imagine …

 

Pete Grooves - What I can remember after a while I sort of went in to what one might say a type of hypnosis I might have drifted a bit but because there was people there all the time they also kept me going with coffee etc. I've got a picture of that somewhere I will try and dig it out. There was situ with news paper reporter's would just sit there and not talk etc. that got the moody bit going sometimes …

 

Y@HU - What more do you want to tell – I mean - is there anything I did not ask BUT you want to tell us about ?

 

Pete Grooves - - nope I think you have done well

 

Y@HU - Thank you and let me ask you some questions again in some time - OK.?

 

Pete Grooves - your welcome

 

PostScriptum

Pete Grooves - this might help I forgot to mention when I was doing my world record I had a pretty bad situation of hallucinations etc one I will never forget was thousands of insects and beetles going up the window

 



interview - citation of the 'Silent Records' book done
26 November 2019

... what is extremely great in this story 
(aside of Pete Grooves unbeaten Guinness record) 
- Pete (as just a few of us) is still active disco deejay:








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